Aichilik River
Morning or Night diptych. Oil on canvas, each 18 x 18 in, 2017.
Rounded with Age. Oil on canvas, 24 x 17 in, 2017.
Ivishak River
It’s the Light. Oil on canvas, 24 x 18 in, 2016.
Chasm. Oil on canvas, 18 x 36 in, 2016.
By the Char Hole. Oil on canvas, 17 x 12 in, 2016.
Marsh Fork of the Canning River
Confluence of the Marsh Fork and Canning. Oil on canvas, 2013.
Light on Alluvial. Oil on canvas, 40 x 30 in, 2019.
Spirit of Place diptych. Oil on canvas, each 36 x 36 in, 2017.
Still Standing. Oil on canvas, 40 x 30 in, 2019.
Summer Marsh Fork triptych. Oil on canvas, 18 x 36, 24 x 36, 18 x 36 in, 2015.
Upper Marsh Fork
Reigning Princess. Oil on canvas, 20 x 16 in, 2014.
Ron’s RV Park with Alice’s Restaurant. Oil on canvas, 36 x 18 in, 2014.
Schrader-Peters Lakes
Magic Carpet Ride. Oil on canvas, 24 x 16 in, 2015.
Morning. Oil on canvas, 20 x 10 in, 2015.
She’s in the Refuge. Oil on canvas, 60 x 36 in, 2018.
Upper Sadlerochit River
Near Sadlerochit diptych. Oil on canvas, each 36 x 36 in, 2019.
Sheenjek River
Hill in the Light. Oil on canvas, 20 x 20 in, 2018.
ARTIST’S STATEMENT
In 1988 I first visited the Arctic National Wildlife Refuge — a trip that would forever alter the direction of my life and art work. Looking down during that first bush flight to the Wind River at the seemingly endless mountains, I knew that I would be returning many, many times. The following year I rafted the Hulahula. Since then I have visited the Brooks Range every year, including eleven more trips to the Arctic Refuge, usually to backpack, hike, raft, canoe or stay at our cabin at Wild Lake.
The Arctic Refuge’s seemingly untouched space, wildness, and rock mountains attract me. I prefer seeing a mountain’s bare structure and not having to guess what is beneath trees and vegetation. The north side of the Brooks is north of tree line, so it is “rock heaven” for people interested in geology. The mountains have a feeling of old rock, possibly because the Brooks has some conglomerates that are two billion years old, albeit much of the mountain range formed 140 million years ago.
Some people are into the “power” of Alaska’s land; by contrast, I am more interested in its peacefulness. I like nothing better than to sit and get lost in the land’s colors, patterns, and space and feel the presence of God and my ancestors. Due to gentle eroding forms, subtle colors, and sensual lines, much of the Brooks has a softer feeling, thus a more feminine feeling, than other well-known areas of Alaska such as the Alaska Range or Wrangell St. Elias. The Wrangell St. Elias area reminds me of a testosterone driven teenager, whereas the mountains of the Arctic Refuge remind me of ancient, wise old women.
Being in the Refuge and seeing a world that was just allowed to be, somehow transports me to a “special place”. And the feeling of “that special other place” is what I hope to capture in paint on canvas.
Learn more about Lynn Larsen and her work at lynnlarsen.com.
Artwork ©2013-2020 by Lynn Larsen. Used with permission of the artist.
